REALDJ.COM
An iTunes-powered music blog by Media DJ Ronnie Rocket featuring Very Special Guests
torsdag, september 24, 2009
søndag, september 20, 2009
Antonio Carlos Jobim "Brazil (Alternate Take)"

The American producer Creed Taylor produced some of the best recordings Antonio Carlos Jobim ever made. Taylor's lush strings, evocative woodwinds, and selection of top-notch jazz musicians were a perfect match for Jobim's spare, bossa nova-flavored compositions. This 1970 recording features Jobim backed by bassist Ron Carter, trombonist Urbie Green, flutist Hubert Law, and soprano saxophonist Joe Farrell. Several classics, such as "Children's Games," the lilting "Tereza My Love," and the two soft samba/swing renditions of Ary Barroso's "Brazil," are lovingly draped in the velvet arrangements of the then-young Brazilian sensation Eumir Deodato. Jobim's dry and achy vocals, along with his acoustic and rarely heard electric-piano playing, add the right sonic seasoning to this delightful disk.
iTunes USA / Spotify
[Inspired by Master Fatman's DJ set @ Louisiana, Denmark, this weekend, ed.]
Deodato "Also Sprach Zarathustra" (1972)

Space Age Jazz's final triumph was to prove, 72 years after Nietzsche's death, his Eternal Return theory of a constantly recurring universe. Time being cyclical, the philosopher foretold, everything he wrote would reappear in one form or another. Sure enough, Also Sprach Zarathustra (1883) returned as Richard Strauss's tone poem (1896), which returned as the movie theme from Kubrick's 2001: A Space Odyssey (1968), which returned as Deodato's campy electrified hit (1972). Alone among these immortal works, Deodato's is actually fun. Thus concludes the Eternally Returning Odyssey of Space Age Jazz. Please rotate the iPod, Hal.
Musicians: Eumir Deodato (electric piano), Large orchestra featuring John Tropea (electric guitar), Stanley Clarke (electric bass), Billy Cobham (drums), Airto (percussion), Ray Barretto (congas). Composed by Richard Strauss. Arranged by Deodato.
Recorded: Englewood Cliffs, NJ, September 12, 1972
[via jazz.com]
iTunes / Spotify